Symposium

Panel: "Narratives of Co-existence and Pluralism in Northern Iraq"

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On Friday, November 17, 2017, at the Ripley Auditorium of the Smithsonian Ripley Center, the academic panel, "Narratives of Co-existence and Pluralism in Northern Iraq," was presented in honor of Dr. Peter Sluglett.

This panel was organized by Dr.  Alda Benjamen (University of Pennsylvania Museum, Smithsonian Institution). The event began with a welcome by TARII Executive Director, Dr. Katharyn Hanson, and the panel started with special remarks about the life and career of Dr. Sluglett by Dr. Nelida Fuccaro (NYU Abu Dhabi) and Dr. Dina Khoury (George Washington University). They spoke about the Sluglett's contributions to the field and the profound impact his mentorship had on so many scholars.

The panel began with special remarks about the life and career of Dr. Sluglett by Dr. Nelida Fuccaro (NYU Abu Dhabi), and Dr. Dina Khoury (University of Washington). They spoke about Sluglett's contributions to the field and the profound impact his mentorship had on so many scholars. 

TARII President Dr. Peter Wien introduces the panel and makes the opening remarks. Photo credit: TARII, 2017

TARII President Dr. Peter Wien introduces the panel and makes the opening remarks. Photo credit: TARII, 2017

TARII President Dr. Peter Wien (University of Maryland) then introduced the panel and made the opening remarks. Dr. Orit Baskin (University of Chicago) spoke first, explaining that the diverse ethnic makeup of northern Iraq in the 19th century actually helped the position of the Iraqi Jews. She further discussed the Iraqi Jews during the Rashid Ali al-Gaylani revolts and stated that the Iraqi Jews felt they could trust their neighbors in Kirkuk and rely on their local partners, which was much different from the sectarian revolts in Baghdad.

Dr. Orit Baskin begins her presentation. Photo credit: TARII, 2017

Dr. Orit Baskin begins her presentation. Photo credit: TARII, 2017

A slide from Michael Sims’ presentation on Yezidis in Iraq. Photo credit: TARII, 2017

A slide from Michael Sims’ presentation on Yezidis in Iraq. Photo credit: TARII, 2017

Michael Sims (University of Washington) discussed the increasing Yezidi marginalization from Ottoman to post-Ottoman Iraq by reviewing many primary accounts. Many Yezidis, he argued, are looking for self-determination but find themselves politically marginalized.

 
Dr. Arbella Bet-Shlimon discusses Kirkuk. Photo credit: TARII, 2017

Dr. Arbella Bet-Shlimon discusses Kirkuk. Photo credit: TARII, 2017

Dr. Alda Benjamen highlighted how minorities, such as the Assyrians, had been active in the Iraqi opposition for decades and are the key to rebuilding Iraq today. She focused on examples where religion and culture are intertwined in many communities in the Nineveh Plain.  

Dr. Arbella Bet-Shlimon (University of Washington) challenged notions that Kirkuk was on the brink of war and examined how Kurds came to frame Kirkuk as their "long lost Jerusalem", a post-1958 development.

Dr. Nabil Al-Tikriti presenting on the tripartite partition of Iraq. Photo credit: TARII, 2017

Dr. Nabil Al-Tikriti presenting on the tripartite partition of Iraq. Photo credit: TARII, 2017

Dr. Nabil Al-Tikriti (University of Mary-Washington) examined the idea of the tripartite partition of Iraq and where this notion came from. He further traced these ideas and how they fed into sectarianization and displacement legacies.

At the conclusion of the panel, Dr. Wien led a question and answer session.

From left to right: Dr. Alda Benjamen, Dr. Orit Bashkin, Dr. Nabil Al-Tikriti, TARII President Dr. Peter Wien, Dr. Arbella Bet-Shlimon, Michael Sims, and TARII Executive Director Dr. Kathryn Hanson. Photo credit: TARII, 2017

From left to right: Dr. Alda Benjamen, Dr. Orit Bashkin, Dr. Nabil Al-Tikriti, TARII President Dr. Peter Wien, Dr. Arbella Bet-Shlimon, Michael Sims, and TARII Executive Director Dr. Kathryn Hanson. Photo credit: TARII, 2017

Corpse Exhibition: Iraqi Literature after 2003

On September 29, 2017 miriam cooke organized a two-part symposium (the first at Duke University and the second to be held in Iraq) on Iraqi literature published after the American invasion of Iraq in 2003. The outpouring of dystopian novels, short stories, memoirs and poetry has been intense over the past 14 years, yet scholarly interest has lagged. The symposium was designed to respond to this lag. Speakers contextualized the occupation within a history of American imperialism in order not to exceptionalize Iraqi suffering but rather to understand where it fits in an overall strategy to dominate the region.

After a screening of Ahlaam and Abd al-Sattar’s overview of Iraqi literature under the Ba'ath regime, the symposium featured two readings and four presentations. Louis Yako recited some of his poetry and Sinan Antoon read from his newly translated The Baghdad Eucharist.  Both writers also presented papers and both addressed the trope of corpses that haunts post-2003 Iraqi literature. It was Hassan Blasim’s 2013 The Corpse Exhibition that provided the title for the symposium.

Louis Yako’s “Death & Exile in Balasim's Writing” asked why post-war writers needed “to do language in the way Balasim and many post-occupation Iraqi writers do it? If language becomes the only “home” when all else is lost, perhaps, like any home, language, too, must be a good representation of our experiences, tastes, joys, sorrows, losses, and pains. In fact, this new language must also be able to equally capture everything that shouldn’t have happened… Perhaps asking for a perfect language to capture what happened is akin to asking for all human atrocities to vanish at a blink of an eye.”* Sinan Antoon’s “Writing Iraq after 2003” discussed his 2010 The Corpse Washer (translated into English in 2013). He called for a change in focus so that resilience, survival and creativity replace the morbid fascination with the dead. Ikram Masmoudi examined the poetics of space, elaborating on her 2015 War and Occupation in Iraqi Fiction that engages with the literary representation of wars, sanctions, and draconian censorship Iraqis endured since Saddam Hussein became president in 1980. She again identified Agamben’s homo sacer in the deserters, traumatized soldiers and prisoners whose deaths cannot be mourned or avenged. Amanda Al-Raba'a’s “Translators, Ethics, and Gender in Iraq War literature” analyzed the role of interpreters in life as in fiction. Caught in the barzakh between two cultures and languages, they belong to both and to neither and thus have to negotiate the fine line between complicity, betrayal and martyrdom.

Participants in the "Corpse Exhibition: Iraqi Literature after 2003" Symposium

It is hoped that the situation in Iraq will allow us to follow through on the planned second half of the symposium that will focus on writers.

*Yako’s paper was published on October 6, 2017 in Counterpunch https://www.counterpunch.org/2017/10/06/post-war-language-death-and-exile-in-iraqi-literature-after-2003/ accessed 15 January 2018